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Birthday Special: Movies Starring Dharmendra and Sharmila Tagore Together_我的网站

一 |     迟到一年的交易，物美价廉的引援，曼联花费7000万英镑找到了最后一块中场拼图，巴莱巴将在红魔新一轮重建的过程中扮演重要角色。    He was considered the most handsome star of his era and she was said to be the most beautiful actress. No wonder the jodi of Dharmendra and Sharmila Tagore managed to pull in the crowds in droves with every release. They had an easy camaraderie going on screen and complemented each other to a T.     Today, as we mark Dharmendra's first birth anniversary, there is even deeper poignancy in celebrating this golden pair, who also happened to share the same birthday, December 8. On this heartfelt occasion, Filmfare looks back at the most celebrated movies, where the golden couple starred together.     In This Article      Anupama (1966)Devar (1966) Mere Hamdam Mere Dost (1968)Satyakam (1969)Yakeen (1969)Chupke Chupke (1975)Ek Mahal Ho Sapno Ka (1975) Sunny (1984)Anupama (1966)          Directed by Hrishikesh Mukherjee, the film is considered a classic of Indian cinema and marked an important milestone in the careers of both the director and the lead actress, Sharmila Tagore. The film revolves around Anupama (Sharmila Tagore), a shy and introverted young woman who faces emotional struggles due to her rejection by her father as her mother died during childbirth. The story takes a turn when Anupama meets a kind and understanding man, Ashok (Dharmendra). He brings her out of her shell, helping her realize her own worth. The music of Anupama was composed by Hemant Kumar, with lyrics written by Kaifi Azmi. The soundtrack features the timeless song Ya dil ki suno, sung by the director himself, as well as Kuch dil ne kaha, and Dheere dheere machal, both sung by Lata Mangeshkar.     Devar (1966)          It’s an emotional drama directed by Mohan Segal The movie stars Dharmendra, Sharmila Tagore, and Raaj Kumar in key roles. The film is based on the short novel Naa by the Bengali writer Tara Shankar Bandopadhyay. The film had the often repeated plot of childhood lovers separated later in life but at the time, its emotional story appealed to the audience, turning it into a hit. Dharmendra starred as a man who goes on a self-destructive spree and Sharmila Tagore played a woman who is hell bent to get justice for her murdered husband. The film had music by Roshan and lyrics by Anand Bakshi. It had some good sad tracks like Aaya hai mujhe phir yaad and Baharon ne mera chaman loot kar, both sung by Mukesh.     Mere Hamdam Mere Dost (1968)          Directed by Amar Kumar, the film starred Rehman, Mumtaz and Om Prakash besides Dharmendra and Sharmila Tagore. The film has all the hallmarks of being a melodramatic thriller, with lost and found moments and other twists aplenty. Dharmendra plays a poor but honest young man who is horrified (yes!) to know that his girlfriend was only pretending to be poor but is actually super rich. Sharmila Tagore spends the rest of the film trying to woo him over once again. Dark revelations kind of derail their relationship but things get alright in the end. The film had music by Laxmikant-Pyarelal and lyrics by Majrooh Sultanpuri. The musical love story had lovely songs like Chalkaye jaam, Hui shaam unka khayal aa gaya and Na ja kahin ab na ja, sung by Mohammed Rafi, as well as Chalo sajna jahan tak jahan chale and Allah ye ada, sung by Lata Mangeshkar.     Satyakam (1969)          Directed by Hrishikesh Mukherjee, it features Dharmendra in the titular role. The film is a poignant and powerful drama that explores themes of integrity, honesty, and the struggle to maintain one's ideals in a corrupt world. It’s based on a Bengali novel of the same name by Narayan Sanyal. It’s said to have one of the finest performances by Dharmendra, who plays a man who sticks for the truth, whatever the circumstances may be. Sharmila Tagore plays a woman who has been raped earlier in life and pines for a sedate life. She has problems with her husband, who is aware of the truth. They somehow fail to lead a contented life, because of his too honest nature and also because of the secret they share. Sanjeev Kumar plays the role of a wordly wise friend who tries to make the protagonist see reason, while Ashok Kumar plays the family elder who finally learns the importance of forgiveness towards the end.     Yakeen (1969)          Much before Don and even The Bourne Identity, came this thriller, directed by Brij Sadanah, about a man posing as his doppelganger. Dharmendra acted as both Rajesh, an innocent man on the run and Garson, the gangster who poses as him. Sharmila Tagore plays Rita, Rakjesh’s love interest, who is pregnant with his child. While the plot is all over the place, the negative role played by Dharmendra, with blue contact lenses and changed voice offered something new to the audience. It’s the most villainous role played by the actor ever.     Chupke Chupke (1975)          Directed by Hrishikesh Mukherjee, the film is known for its light-hearted plot, clever humor, and exceptional performances from its cast. A remake of the Bengali film Chhadmabeshi, it stars Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan, Om Prakash, Usha Kiran, David Abraham Cheulkar, Asrani and Keshto Mukherjee. Dharmendra plays a professor of Botany called Parimal, who with the help of his friends Sukumar (Amitabh Bachchan) and Prashant (Asrani), wife Sulekha (Sharmila Tagore) and uncle Haripad (David), plays a prank on his brother-in-law Raghav (Om Prakash). One hilarious situation follows the other as Parimal and company try to stretch the joke as long as possible. Both Dharmendra and Amitabh Bachchan had established themselves as action stars in the ’70s and Chupke Chupke showed that they possess great comic timing as well. Dharmendra and Sharmila gave off newly married couple vibes without resorting to any cheap tactics. It’s a family entertainer which can be enjoyed on a loop even now.     Ek Mahal Ho Sapno Ka (1975)          This is a rather forgettable formulaic film, directed by Devendra Goel, revolving around mistaken medical reports. Vishal (Dharmendra) and Aruna (Sharmila Tagore) are in love. Aruna gets to know that she might lose her eyesight in six months and breaks off the relationship, without telling Vishal the reason. Sonia (Leena Chandavarkar), falls for Vishal. Later Aruna gets to know she was misdiagnosed but still doesn’t tell Vishal the truth, thinking he’ll be happy with Sonia. Much twists and turns later, ultimately Sonia sacrifices her love to bring together the estranged lovers. The film has hummable songs such as Dekha hai zindagi ko, sung by Kishore Kumar and Dil mein kisi ke pyar ka, sung by both Lata Mangeshkar and Kishore Kumar. It had music by Ravi and lyrics by Sahir Ludhianvi.     Sunny (1984)          Directed by Raj Khosla and starring Dharmendra, Sharmila Tagore, Waheeda Rehman, Sunny Deol and Amrita Singh, the film’s story revolves around themes of family, loyalty, and emotional conflict. Inderjeet (Dharmendra) is married to Gayatri (Waheeda Rehman) but is in love with Sitara (Sharmila Tagore). She bears his child, Sunny (Sunny Deol), who is brought up by Gayatri as her own son, after Inderjeet passes away. Sunny falls in love with Amrita (Amrita Singh), who happens to be Sitar’s niece. The film had some lovely music by RD Burman and lyrics by Anand Bakshi. It had memorable songs like Jaane kya baat hai, sung by Lata Mangeshkar and Aur kya ahd-e-wafa hote hain, sung by both Suresh Wadkar and Asha Bhosle. This was the last film done together by this golden couple. They were supposed to be cast together in Karan Johar’s Rocky Aur Rani Kii Prem Kahaani (2023) but Sharmila’s ill health at the time prevented that. Her role was ultimately essayed by Shabana Azmi.     Also Read: Throwback: Dharmendra & Sharmila Tagore were to star in Gulzar’s Devdas。海鸥出品必属精品，等待一年也值得依靠大量数学家、逻辑学家和计算机高手打造球探团队，通过与专业足球网站的深度合作，搭建起完善的球员数据库，凭借数据蒸馏技术从中选拔人才，依靠潮流化的战术打法包装球星，在不断出售球员盈利的过程中实现可持续发展……新时代的英超金元风暴肆虐，布莱顿却实现了逆风飞翔。继比苏马、本·怀特、库库雷利亚、麦卡利斯特、凯塞多、特罗萨德、罗伯特·桑切斯和若昂·佩德罗之后，卡洛斯·巴莱巴成为了南海岸造星故事的新主角。上赛季夏窗的若昂·佩德罗，本赛季夏窗的卡洛斯·巴莱巴，海鸥出品，必属精品。

二 | 2004年1月3日，巴莱巴出生在喀麦隆杜阿拉，少年时期在埃科勒百事丽俱乐部完成足球启蒙，18岁时成为里尔梯队的一员，很快获得了代表一线队出场的机会。2022/23赛季，巴莱巴代表里尔出场23次，贡献2次助攻，尚未来得及展示出全部天赋，便被布莱顿以2700万欧元的高价买走。

三 | 职业足球经验匮乏，英超赛场竞争激烈，巴莱巴在新舞台上的起步不算惊艳，德泽尔比只让他在联赛中（2023/24赛季）首发了15次。格罗斯的地位十分稳固，巴莱巴需要与吉尔摩、达胡德等人竞争上岗。尽管没能锁定主力位置，巴莱巴还是凭借超凡的天赋征服了布莱顿管理层，被当做了球队重点培养对象。2024/25赛季，巴莱巴成为了赫尔泽勒战术体系中的定盘星，布莱顿队内只有范赫克和费布鲁亨的联赛出场时间比他更多。曼联此时迎来了后腰危机，卡塞米罗状态下滑，乌加特、梅努和埃里克森难堪重任，巴莱巴成为了阿莫林钦点的后腰引援目标。不过，由于无法满足海鸥军团“完成凯塞多式交易”（亿元身价）的愿望，曼联未能在2025夏窗得到巴莱巴，这也间接导致喀麦隆人的状态一落千丈。面对富勒姆时在第69分钟被换下，对垒埃弗顿时半场结束后被换下，对曼城踢了60分钟，对伯恩茅斯时在替补席上枯坐全场，对切尔西踢了67分钟，对热刺和狼队时连续在半场结束后就被换下……属于巴莱巴的2025/26赛季有着噩梦般的开局，转会曼联失败导致其心态失衡，昔日无所不能的中场大将成为了失误不断的梦游者。上赛季联赛开局阶段，巴莱巴在场上表现地魂不守舍，连续多场比赛被早早换下。赫尔泽勒多次公开批评巴莱巴缺乏足够的稳定性或掌控力，却没能起到多大的效果。巴莱巴在上赛季英超赛场仅获得23次首发机会，其中只有4次打满全场。布莱顿自升入英超以来首次遭遇曼联双杀，巴莱巴在做客老特拉福德时只踢了59分钟，丢失10次球权，拿到一张黄牌，布莱顿在其被换下后迅速从0-3追成2-3。赛季收官战主场再次对垒红魔，巴莱巴被赫尔泽勒按在了板凳席上，在替补出场后的31分钟时间内碌碌无为。出众的身体素质结合细腻的球感，巴莱巴的上限似乎比埃利奥特·安德森、亚当·沃顿等人更高。

四 | 两次面试成绩的都很糟糕，巴莱巴依然得到了红魔的邀约。这一方面是因为其身价在过去一年中下跌严重，昔日被海鸥军团捧在掌心的亿元先生如今只需要7000万英镑就能拿下，远低于埃利奥特·安德森、亚当·沃顿和亚历克斯·斯特科等来自英超中小球队的明星中场。

五 | 另一方面就是巴莱巴的身体素质比上述诸将更加出众，技术层面的可塑性更强，未来成长潜力更大，作为中场司令塔的气质也更为突出，卡里克有信心将其调教为英超顶级球员。巴莱巴在2025年底的非洲杯上表现出色，“真实实力”不容低估。

六 | 俱乐部比赛如同梦游，巴莱巴在国家队舞台上却有不错的发挥。2025年底的非洲杯，巴莱巴代表喀麦隆出战5场比赛，两次荣膺当场MVP，拼到抽筋时的力竭表现与英超赛场上的意兴阑珊形成了鲜明对比。坐镇后场中路，巴莱巴有望成为罗德里之后英超最好的6号球员之一。潜力巨大的中场司令塔，单后腰体系的完美答案从久负盛名的里尔青训营来到新晋崛起的英超梦工厂，巴莱巴从两种截然不同的竞技环境中汲取养分，在22岁的年龄便具备了担任豪门中场指挥官的能力。身高1米83，体重77公斤，巴莱巴体格“适中”，既具备高大中场的对抗、制空、拼抢和卡位能力，也拥有小个中场的细腻技术、脚下频率和覆盖能力，这意味着他可以在四战之地执行较为复杂的战术任务，为后防线筑起一道屏障，免除前场球员的后顾之忧。从侧后方完成的抢断干净利落，巴莱巴不仅可以在中卫身前筑起一道屏障，完成拦截后的引球出击也极具观赏性。

七 | 防守是拖后中场的第一要务，巴莱巴在这方面的能力非常突出。2024/25赛季，巴莱巴的抢断、盘带和空中对抗中的成功率均位列英超中场球员前列，提前预判后用强硬的卡位来限制接球人，以及盲侧下脚断球是他的招牌动作。在布莱顿相对激进的战术体系中，巴莱巴的防守表现非常积极，快速反应和良好的选位总能帮他快人一步拿下球权。凯塞多能够全场飞奔，不断向持球人施压，比苏马控球时节奏优雅，远射力道十足，巴莱巴堪称两位布莱顿前辈的结合体。赫尔泽勒曾将巴莱巴比作“比苏马和凯塞多的结合体”，喀麦隆人不仅是一名防守悍将，在梳理球路、组织进攻和插上得分方面也有自己的心得，出众的跑动和覆盖能力支撑着其攻防两端的全能表现。巴莱巴的左脚技术精湛，长传调度能力在水准之上，他会在背身接球后迅速完成转身，让推进阶段的局面豁然开朗。巴莱巴控球能力不俗，面对压力时信心十足。

八 | 根据知名数据机构SkillCorner的测算，巴莱巴是欧洲前10联赛中在压力下控球能力最强的年轻中场之一。有着这位球感丝滑的转换器，红魔中卫身前不再是荆棘丛生的陷阱，而是精彩进攻的策源地。当中场可以顺利完成攻守转换后，曼联前场球员的负担也会减轻不少，姆伯莫和库尼亚发动进攻的地点随之前移。

九 | 高位压迫阶段，巴莱巴展现出了攻防一体的属性，强大的中场控制力一览无余。高位压迫阶段，巴莱巴会深入前场盯防对手的拖后中场，利用自己的身体优势完成抢断。

十 | 在前场拿下球权之后，巴莱巴既可以为前锋送出威胁球，还能够用精准的兜射来考验门将的扑救能力。进入阵地战阶段，巴莱巴习惯于留在禁区外围控制第二落点，延阻对手的反击，寻觅远射机会。

十一 | 阿莫林和卡里克都曾依靠利桑德罗·马丁内斯和约罗的前提，布鲁诺·费尔南德斯的回撤长传以及边翼卫的横向支援来替补后腰位置的漏洞，巴莱巴的加盟让大家都松了一口气。

十二 | 受限于铁塔般体格，巴莱巴的速度和爆发力一般，适合配搭运动能力较强的中卫和中场来控制核心区域，利桑德罗·马丁内斯、安德雷·桑托斯等人可以成为他的理想搭档，阿莫林时代留下的一揽子后腰保护方案依然有继续使用的必要。现阶段，巴莱巴的经验还比较欠缺，比赛中经常会出现注意力不集中的情况，技术细节和稳定性还需要进一步雕琢，卡里克或许会成为其巨星之路上的导师。1.6亿重建中场，全新三人组值得期待后弗格森时代的曼联远离英超争冠集团，中场的羸弱一直是困扰球队的心病。穆里尼奥曾打造出一套结构稳固的三中场架构，可惜的是，博格巴、马蒂奇和埃雷拉组合巅峰期只有两个赛季。卡塞米罗落户梦剧场时已过巅峰期，乌加特、梅努等人曾被寄予厚望，最终却不得不轮到为新援让出发展空间。寻找卡塞米罗接班人，巴莱巴身价更低、潜力更大。曼联新一轮中场重建花费超过1.6亿欧元，卡里克在选择球员方面非常慎重。蒂莱曼斯的球风成熟且职业精神突出，安德雷·桑托斯在攻防两端都有很大潜力，巴莱巴更是展现出了成为一流中场司令塔的天赋，他们组成的中场将成为曼联未来的基石。考虑到布鲁诺·费尔南德斯的经验和状态依然是英超顶尖水准，曼联还需要这位老将的传帮带作用，安德雷·桑托斯暂时只能是轮换球员，巴莱巴的发挥将直接决定红魔在新赛季的成败。

十三 | 身边有里尔时期的故交约罗，国家队老大哥姆伯莫，明星中场出身的主帅卡里克，喀麦隆小将在“舒适区”中的成长值得期待。

十四 |

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